100 years after the end of World War I (and 100 years after L’Histoire du Soldat was first performed), I adapt the classic story to focus on the technology of modern warfare: drones. In conversation with the original, my piece integrates the striking Stravinsky score with the urgency of a new story, allowing us to interrogate the ongoing nature of war and manipulation.
What Bridle repeatedly warns of in his book is that we don’t know what we don’t know, particularly when it comes to tech. There is an urgent need to develop a more-than-functional or technologically-deterministic knowledge of tech and its systems
The ‘Re-‘ network asks what repetition does. Why do we repeat, revive, re-enact, restage, reframe, remember, represent, and refer – to whom, when, where and why – and why is this a topical question in a digital era?