Photo: Thomas Aurin of Rüping's 'Hamlet'

Why do theatre directors work with canonical dramatic texts?: Lars Maagerø on Rüping's 2017 Hamlet

The most striking moment in the production was the ‘To be or not to be’-soliloquy, which was removed from its dramatic context in the third act and given as the culmination of the performance. The soliloquy was staged not as Hamlet’s private contemplation of suicide, but three actors in the production delivered the speech simultaneously and directed it outwards, towards the audience.

Passionate Affinities: Literature and Networks – Prof. Rita Felski on her forthcoming book ‘Hooked: Art and Attachment’ (Fall 2020)

Prof. Rita Felski (University of Virginia) is visiting the Re- Network as part of the ‘Canons vs. Icons’ series on Monday, December 2nd (Audit Room, King’s College, 5-7pm), prior to delivering the Annual Tagore Lecture in Comparative Literature at UCL. Prof. Felski will be in conversation with Re- convenor Dr. Francesco Giusti (Bard College Berlin/ICI […]

‘Re-Enacting Icons: Self-Portraiture and Selfies’: Prof. Gabriella Giannachi on her current research at the University of Exeter

Lynn Hershman Leeson, Roberta Breitmore, 1974-1978. External Transformations: Roberta’s Construction Chart, No. 1, Dye transfer print, 40″ x 30″, 1975. Courtesy of the artist. How has the rendering of the concept of the ‘self’ in art changed from the early 1400s to the digital present? To explore self-representation in self-portraiture, a number of paintings, photographs, […]

‘Re-/Un-working Tragedy: Perspectives from the Global South’: Ekin Bodur on her upcoming Re- Network conference

But how does recognisable repetition operate as a unique kind of site for invention, and for speech? And how might we see a Global South engagement with the tragic canon as a de-stabilizing gesture – an un-working, rather than a re-working?

‘Why the current surge in Live Action Role Play?’ Lucy Jolin interviews Clare Foster for CAM magazine

Lucy Jolin interviewed Re- Network founder Clare Foster about the popularity of social forms of re-enactment for the latest issue of CAM magazine. CRASSH reports on it here. “Emily Zhang is loitering with intent in Grantchester Meadows. She is on a mission: to overthrow a mysterious artificial intelligence that has been terrifying her people. Eventually, […]